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not in the least
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It does
not in the least resemble
any existing printing machine.
printing
ни в малейшей степени не походить на
Совершенно не походить на что-либо; выражение «not in the least» усиливает отрицание.
Men of Invention and Industry
"Men of Invention and Industry" by Samuel Smiles is a historical account likely written in the late 19th century. The book examines the lives and contributions of various inventors and industrialists, highlighting their impact on society, particularly within British industry, with an emphasis on significant advancements such as shipbuilding and steam power. The opening of the book sets the stage with a discussion of the early history of English shipbuilding, beginning with the figure of Phineas Pett. It explores the humble beginnings of the British navy and the advancements made under historical figures like Henry VIII. Various early challenges in shipbuilding are elucidated, alongside the importance of foreign expertise in developing England’s maritime capabilities. The narrative illustrates a shift from a heavy reliance on importing goods and expertise to a burgeoning English independence in shipbuilding and trade, paving the way for a stronger national identity tied to maritime innovation.
It
does not in the least follow that
all Stevensons are of the clan Alpin; but it does follow that some may be.
general
отнюдь не следует, что
Подчёркивает, что из имеющихся сведений вовсе нельзя сделать такой вывод.
Records of a Family of Engineers
"Records of a Family of Engineers" by Robert Louis Stevenson is a historical account written in the early 20th century. The book delves into the lineage of the Stevenson family, particularly focusing on their contributions as engineers and their experiences across generations in Scotland, intertwining personal anecdotes with broader historical narratives. The opening of the book introduces the reader to the Stevenson family tree, tracing their surname's evolution and historical context from the 13th century onward. It reveals a lineage that has faced both successes and tragedies, with a particular focus on the early lives of James Stevenson, his brother Hugh, and their heir, Robert Stevenson. The text sketches their aspirations, marriages, and struggles, ultimately painting a portrait of a family deeply rooted in the engineering profession, set against the backdrop of the rugged Scottish landscape and societal changes of their time. This initial section not only captures the essence of their individual experiences but sets the stage for further exploration of the family's lasting impact on engineering.
Erec was
not in the least
jealous and suspected no evil or treachery.
general
нисколько
Совсем нет; используется для усиления отрицания.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
It's
not in the least
likely, I fear, to be a proposal which you would like the sentry beneath the window to overhear.
general
нисколько
Вовсе не; фраза усиливает отрицание.
The Yeoman Adventurer
"The Yeoman Adventurer" by George W. Gough is a historical novel likely written in the early 20th century. The story unfolds through the experiences of Oliver Wheatman, a yeoman, as he navigates life in a tumultuous period marked by the Jacobite uprisings, personal ambition, and romantic entanglements. The novel delves into themes of bravery, identity, and the quest for adventure against a backdrop of deep social and political upheaval. The opening of the book introduces Oliver Wheatman as he reflects on his life in a rural setting, immediately exposing his longing for adventure and the complexities of his relationships, especially with a character named Kate and her brother Jack Dobson, a soldier. As he witnesses soldiers marching and grapples with feelings of inadequacy, his fate intertwines with that of a captivating woman, Mistress Margaret Waynflete, who is entangled in the Jacobite cause. The chapter sets up a series of events where violence and danger emerge, ultimately leading Oliver to rescue Mistress Waynflete, and shapes the thrilling and romantic quest that defines the narrative.
Brocton,
not in the least to my surprise
, made no attempt to interfere.
general
что нисколько меня не удивило
Употребляется, чтобы сказать, что происходящее совершенно не удивило говорящего.
The Yeoman Adventurer
"The Yeoman Adventurer" by George W. Gough is a historical novel likely written in the early 20th century. The story unfolds through the experiences of Oliver Wheatman, a yeoman, as he navigates life in a tumultuous period marked by the Jacobite uprisings, personal ambition, and romantic entanglements. The novel delves into themes of bravery, identity, and the quest for adventure against a backdrop of deep social and political upheaval. The opening of the book introduces Oliver Wheatman as he reflects on his life in a rural setting, immediately exposing his longing for adventure and the complexities of his relationships, especially with a character named Kate and her brother Jack Dobson, a soldier. As he witnesses soldiers marching and grapples with feelings of inadequacy, his fate intertwines with that of a captivating woman, Mistress Margaret Waynflete, who is entangled in the Jacobite cause. The chapter sets up a series of events where violence and danger emerge, ultimately leading Oliver to rescue Mistress Waynflete, and shapes the thrilling and romantic quest that defines the narrative.
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